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And I think there's great compassion and humor in this. She's been trying to get me to play classical violin and piano since I was five, she taught me to read long before I was in public school. So I had a range of education and culture that wasn't necessarily in sync with my peers, because it was my mom's education and culture. I knew a little bit about Tolstoy and Bach, and not nearly enough about Motown and the Knicks. So I had a rebellion, I think I gravitated toward hip-hop and the Knicks and street culture because it was further away from what I was experiencing in my house.
Then my father came back on the scene and said, 'You should go to private school. Art and literature were at the core of who she was as a person. I don't know if I related that much to public-school kids, or kids with a lot of money-I felt uncomfortable in that situation, embarrassed by where we lived, things like that. But art and literature were present there, where it wasn't as present in the public-school programs.
I think that's a really big problem. Call me communist, but I think that's something that everyone, regardless of their family's income, has a right to, and I was fortunate enough to have a mother who felt that way as well.
So when I finally ended up in private school, I had a background from her that I could connect to the program with, like, 'Hey, I'm familiar with art and literature, let me hang out over here. I think education gets a bad rap. I think when you're looking at the educated aspects of Shakespeare, you'd be surprised how much goes into understanding and analyzing those plays.
You have to know what you're saying, and to know what you're saying, you have to have a foundation in an arcane language, and that takes reading. And familiarizing yourself with other poetry of that period, and iambic pentameter, and verse structure.
It's about music too, someone who studied music has an inlet into those plays. Plus knowing little bits of history. I mean, even understanding that people were smaller back then, and their lives were shorter, and how that affected the way they behave-their attitudes and emotions were in many ways profoundly affected by the way in which they were forced to live their lives. To understand the range of emotional behavior, you have to understand the society and the culture at least a little bit before you can present it to a contemporary audience in a clear way.
Even if you're not doing a period production, you have to understand what was intended when it was written, and you have to find a way to translate that so it's conveyed when it's performed now. If somebody somewhere has done something interesting then all bets are off. I'm a huge fan of the original film.
I've seen it probably four or five times. But I wasn't worried about duplicating Laurence Harvey 's performance, because I don't think it's humanly possible.
He was fantastic. Also - and I think this is a great testament to the writing of Richard Condon - it was a very different character because there's a wonderful campness to the original that I don't think you could replicate either. So that made it easier for me. Theater is consistent.
You ride your bike to work. You get most of the day off so you can see your kids. My problem is that after three months I go mad.
One of the reasons I never thought I could do a TV show is that I hate doing the same thing over and over again. Part of me always feels like things should be hard. It has made me a better person in fits and starts. Regis and Kelly. Late Night With Seth Meyers. The Ellen DeGeneres Show. Tavis Smiley. Jimmy Kimmel Live! Variety Studio: Actors on Actors. Late Night With Jimmy Fallon.
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